影片充满了珍贵的档案影像以及当下的人物访谈，生动再现了左岸歌舞表演厅的辉煌时代，正是在那里，Barbara、Brel、Ferré、Gréco、Anne Sylvestre等众多艺人开启了他们的演艺生涯。

以在马赛剧团“Les Chiens de Navarre”的工作而闻名的剧作家让 - 克里斯托夫·默里斯（Jean - Christophe Meurisse），在此推出了他的首部中篇电影《Il est des nôtres》——这是一部荒诞讽刺作品，让人不禁联想到布努埃尔（Buñuel）的作品。

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Veille sur moi is the story of Maggie (Guylaine Tremblay) and her grandson Zack (Jérôme Hébert), whom she has been taking care of alone for three years, ever since her daughter Corinne (Pascale Renaud-Hébert) entrusted the child to her by disappearing into the fog with Joey (Guillaume Laurin), her toxic partner. But one afternoon, Zack and Maggie see their daily lives completely turned upside down when Corinne returns, now sober and separated from Joey, with the desire to pull herself together and take care of her son. This return, as much feared as desired, will have serious consequences.

When the commander of a cruiser ,which sank in a confrontation,is tried for negligence, will the wife speak up in his defense? Unknown to him, she was trapped in the cabin below with her former lover, a subordinate officer.

Mercedes and Pedro, Cuban producers and screenwriters, travel to Spain to close an agreement with Alberto, a Spanish producer. Together, they try to make a film about Cuban reality. A movie about those who leave the island, those who return, but also those who still want to leave but cannot. A simple idea that will slowly become more complicated because Spaniards and Cubans have a very different point of view on this reality.

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Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.